Outsourcing DTF: Running It as a Profit Centre
The jobs you are currently turning away.
Every screen shop has a category of enquiry it quietly discourages: too small to justify screens, too many colours, mixed garments, or needed too soon. Those calls are not marginal — for most shops they are a meaningful share of inbound enquiries, and they usually come from customers who would have come back.
Too small to burn screens for. Currently either declined or priced so high the customer goes elsewhere — and takes their next order with them.
Six colours means six screens and six setups. In DTF, colour count does not affect the price at all.
Ten tees, four hoodies and six totes is several screen setups. It is one ordinary transfer order.
No time to burn screens. Transfers print the same day if ordered before the cut-off.
A customer coming back for a top-up of a job you ran last year. Uneconomic on screens, trivial on transfers.
Performance and hi-vis work that needs the right ink system. DTF presses onto it at a lower temperature and holds.
Build the price from five lines.
The mistake shops make when they first outsource is quoting the transfer cost plus a markup, forgetting that pressing is now their labour rather than a supplier's.
At $0.0249 per square inch with no setup fee, the transfer line is exact and knowable before you quote — which is the part that makes outsourced DTF easy to price confidently. Full costing method →
Keep your screens. Add a lane.
This is not a replacement decision. The shops that do this well run both and route each enquiry to whichever is cheaper for that job — which is straightforward once you know the crossover.
- Runs into the hundreds of one simple design.
- One or two spot colours.
- Specialty inks — puff, metallic, discharge, high-density.
- The softest possible hand on light cotton.
- Anything where you already own the screens.
- Under roughly fifty pieces.
- Full-colour, photographic or gradient artwork.
- Mixed garments or several designs in one order.
- Short deadlines with no time to burn screens.
- Small reorders and top-ups.
- Polyester, performance wear and hi-vis.
Building supplier lead time into your promise.
The operational objection to outsourcing is that you no longer control the schedule. That is true, and it is manageable with two habits.
1. Quote transit plus a buffer day
Transfers print the same business day when ordered before 11 AM ET and ship the next morning. Add your provincial transit and one buffer day, and quote that — not the minimum. The buffer absorbs a missed carrier attempt, which is the thing that actually goes wrong.
2. Hold stock of repeat designs
This is the one that removes the objection entirely. Transfers store flat indefinitely away from heat and sunlight, and a transfer has no size. For any design a customer reorders, keep a stock and press to order — shipping stops being in your critical path at all, and you can promise same-day turnaround on repeats.
| Job type | How to schedule it | What you can promise |
|---|---|---|
| New design, planned | Order on approval, quote transit + 1 day | A firm date, comfortably |
| New design, urgent | Order before 11 AM ET, quote transit + 1 | Tight but honest |
| Repeat design, stocked | Press from stock | Same day |
| Repeat design, not stocked | Order and stock extra this time | Same day from next time on |
| Customer wants it tomorrow, far from Ontario | Decline or use a local option | Say so early |
What you tell your customer.
Nothing, generally — and not because it is a secret. Your customer is buying a finished garment on a date. How the graphic was produced is a production decision, the same way the brand of your ink or the source of your blanks is.
If it does come up, the honest answer is that you use the right process for each job and DTF is the right one for theirs. That is more credible than implying every method happens under your roof, which almost no shop can truthfully claim anyway.
If you would rather it never came up: blind shipping is available on a wholesale account, so packages arrive without our branding on them. Wholesale accounts →
Outsource first, buy equipment later.
Outsourcing is not the compromise version of owning a printer — it is the step that tells you whether owning one makes sense. Six months of outsourced work gives you real data on your DTF mix, your seasonality and your volume, which is exactly what you need before committing to a machine and a daily maintenance obligation.
Plenty of shops that own a printer still keep an account open for overflow, because a machine in service turns from a crisis into an inconvenience. The honest maths on buying a printer →
Outsourcing questions
- Can I add DTF to my shop without buying a printer?
- Yes, and for most shops it is the better first move. You buy transfers, press them on equipment you already own, and keep the customer relationship. The only new capability you need is a heat press, which most decorating shops already have.
- How do I quote a DTF job profitably?
- Cost the transfer exactly (printed area × rate), add your blank, add a realistic labour figure of about a minute per garment plus setup, add a waste allowance, then apply your normal decorating margin. The transfer is usually the smallest line.
- Will outsourcing make me look less capable to customers?
- Only if you frame it that way. Customers buy a finished garment on a date — the process behind it is your business. Plenty of established shops outsource one decoration method and always have.
- What jobs should I send out rather than screen print?
- Anything under roughly fifty pieces, anything full-colour or photographic, anything on mixed garments, and anything that arrives Thursday for Saturday. Those are the jobs screens price badly and DTF handles easily.
- How do I schedule around a supplier lead time?
- Order before 11 AM ET and transfers print the same day and ship the next morning, so build your transit time plus one buffer day into the quote. Better still, hold stock of repeat designs so shipping is off your critical path entirely.
- Does outsourcing stop me buying a printer later?
- No — it is the sensible sequence. Outsource while you learn what your real DTF mix and volume look like, then buy equipment when the numbers justify it rather than in the hope that they will.
Related guides
What direct-to-film actually is, how the process works step by step, what it prints well on, and what it costs in Canada.
How to Press DTF Transfers (Settings That Actually Work)Exact temperatures, times and pressures by fabric, why the second press is not optional, and the four mistakes behind most failed prints.
Best File Format for DTF Printing: PNG, PDF or JPGWhy PNG is the safe default, when a PDF is genuinely better, and the reason a JPG prints a white box on a black shirt.
DTF Artwork Requirements — The Complete ChecklistResolution, transparency, edges, colour mode and sizing, with the pixel maths and a pre-flight checklist you can run in a minute.
Take the next twelve-shirt job instead of declining it.
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